Thursday, February 12, 2026

Book Tour: Reign of Secrets by James P. Cain

 




Historical Fiction Thriller

Date Published: 12/10/2025

Publisher: Manhattan Book Group




When the Prince of Denmark is murdered in the Florida Keys, an unlikely duo of American and Irish diplomats in Copenhagen becomes embroiled in a deadly game of espionage, ancient conspiracies and high stakes diplomacy as they confront one of the West's most dangerous enemies. In Reign of Secrets, Colonel Whit Ransom and Irish attaché Aisling Kelly race across Europe to stop the Russian President and his assassins as they chase the Danish Crown’s most guarded treasure, a thousand-year-old secret that could threaten the royal houses of Europe and return the Russian empire to glory.

In Reign of Secrets, diplomacy meets danger, and the past may be the deadliest weapon of all.

 

Praise for Reign of Secrets


"A gripping, timely story... that masterfully blends that warrior ethos with today's geopolitical reality, as Whit Ransom confronts Vladimir Putin's ruthless ambition to resurrect an empire."

- Lt. Col. James Reese (Ret.), US Army Delta Force Operator

"Through this historical thriller, Reign of Secrets offers a captivating glimpse into the essence of what it means to follow in the footsteps of legends..."

- Morten Andersen, "The Great Dane", Member, NFL Hall of Fame

"A masterfully crafted tale that explores how the West's adversaries subtly challenge the narratives of history - reshaping symbols, exploiting weaknesses, reframing legacies, and testing the resilience of democratic values and the international order."

-Lt. General Ed Cardon (Ret.), former Commander, US Army Cyber Command

 

Excerpt

Reign of Secrets; Excerpts

1.In Reign of Secrets, diplomacy meets danger, and the past may be the deadliest weapon of

all…


2.There is a secret within the royal houses of Europe; an ancient secret that has kept the
same bloodline on the throne of Denmark for over 1000 years. 
                The President of Russia will stop at nothing to get it.  

3.Roskilde Cathedral, Denmark:

  Her body had lain undisturbed in its royal crypt for almost a century; but when the

man in the front row discovered the letter sewn in the lining of her murdered

granddaughter’s nightgown, he knew the long dead Empress had to return to

Russia, to fulfill his destiny, and change the course of history.    

Whit Ransom studied that man. From his seat in the balcony of Roskilde

Cathedral he had a clear view of the back of the man’s bald head, square

shoulders, and dark blue suit. The skill of observing small details had been

part of his Delta Force training. The bald man seemed a bit smaller in

stature than media photos suggested. And the man clearly wasn’t paying

attention to the homily the bishop was delivering. Instead, he was glancing

around the interior of the cathedral, studying the architecture, the

multiple monuments, and the recesses in the walls as if he were looking f

or something. What?  

On one side of the aisle sat the royal family of Denmark, headed by Her

Majesty the Queen. On the other side of the aisle, in seats surrounding

the bald man, the political leadership of Denmark sat stoically. Ransom

scrutinized the face of Prime Minister Ida Samuelsen for any sign of what

she was thinking as she sat next to the man. But the Prime Minister sat

unmoving, betraying no discomfort except for one brief instant when

Ransom saw her eyes dart to the left, at the man who most of her

counterparts considered the most dangerous person in the world,

a man who had recently brought Europe to the brink of an unthinkable

war,  a man who tonight would be flying  back to Moscow to resume

his duties as the President of Russia. …


…What Ransom was unaware of, what only the man in the front row

knew of, was the tattered letter sewn in the hem of the nightgown of

the nineteen-year-old Grand Duchess Maria; a letter from Maria’s

grandmother to Maria’s father. And other than the man in the front

row, neither Whit Ransom nor the Queen of Denmark nor anyone

else present in the cathedral that afternoon could have guessed the

contents of that letter, or the secret buried therein, a secret the man

in the front row was determined to unravel. A secret that would

allow the new Russian empire to rule all of Europe, with him

on the throne.   


4. The Kremlin, Moscow  

The president of Russia sat alone in his office. He reached inside

his left coat pocket and removed the letter he had now read at least

a hundred times. The message, sewn in the lining of the undercoat of

Czar Nicholas II’s youngest daughter, must have reached the czar in

exile, sometime in 1917, before the Bolsheviks seized power and

captured Nicholas and his family. The letter had been discovered

when the children’s bodies were being prepared for reburial in the

cathedral in St. Petersburg two years before. Its message, written

from the czar’s mother and intended for her son, had become

an obsession. It was more than a message of hope from a mother

to a son. It was a message promising eternal empire based on a

secret known only to her family. He had hoped that bringing the

mother’s body back to Russia would provide more clues, but so

far the examination of the casket of Empress Maria Feodorovna,

who the Danes called  Dagmar had yielded nothing. Hopefully

the team from Cuba would provide more information. They

should be reporting in soon. He unfolded the three yellowed

pages and once again read the faded, cryptic message. What

secret were you trying to get to your son, Empress?  


5. U.S. Embassy Copenhangen, 8:00 am 


The Bubble was large enough to hold the embassy’s senior staff, who

were all assembled and stood when Arthur entered. Sanders introduced

the dozen men and women, all of them Americans, in rapid order

without regard for seniority. Like Conrad Arthur, Ransom had met

a few of them earlier, but it was the first time he had laid eyes on

a couple of them, the staff from the National Security Agency and

Central Intelligence Agency in particular. Following the brief

introductions, Sanders got to the point. 

“Sir, we have a situation. The President is waiting for your call.”  

6.Kastrup Airport, Copenhagen, 5:45 pm 

Niels Sørensen watched as the military escort removed the flag-draped

coffin from the cargo bay of the Citation CJ4. The Crown Prince was

to his left, huddled under an umbrella with the crown princess. They

had agreed that the arrival of Prince Axel’s body should be a

private affair, no media, no cameras. The absence of an audience

left the royals free to exhibit their emotion, and Sørensen understood

the silent tears flowing down the face of the Crown Princess. He

would take charge of the body and ensure that a full autopsy was

conducted. The results of the American and Danish autopsies

would then be compared.  If the Ambassador’s information was

accurate, that Axel’s attackers had drugged him, that was a

real problem. If those drugs were designed to elicit information,

and if before he died, Prince Axel had shared the information he

and his predecessors had devoted their lives through the centuries

to protecting, all could be lost. And that was not only a threat to the

existence of the royal family, it could shatter the stability of the world order.


7.Fredensborg Palace, the Library, 5:45 pm 

  “The American ambassador asked me if the family has any enemies,”

said the crown prince. Beck stood and began pacing. “We have

had this same discussion for years. If we bring the Americans in,

we cannot trust that the truth will stay with us. Besides, the enemy

could be anyone, including the Americans.” 

The lord chamberlain spoke next. “Two centuries ago, at least

one of America’s leaders knew of, or at least suspected, our secret—and

they understood and complied with our wish for silence on the matter.” 

“True,” replied Beck, “but the leadership of America at its founding

is not the leadership of today. We cannot be certain that America today

would protect and respect a secret that has been in this family

for a thousand years.” 

“As insensitive as this may sound,” said the Crown Prince,

“let’s hope that my brother’s heart seized up before his interrogators

could get that secret out of him. 


8. Trinity College, Dublin, 12:19 pm

None of the three spoke as the curator continued to turn pages. It
occurred to Ransom that he had run out of adjectives to describe
the artistic beauty in front of him. As the curator was beginning to
turn the eleventh page, Ransom held up his hand for her to pause.   
“Do you know anything about that symbol?” he asked, pointing to
the marking in the left margin that he had seen in the Stag’s Head.
McKinsey moved closer to look through the magnifier.  
“It seems a bit out of place, there in the margin by itself,” Ransom said.
“It looks like the right half of a cross with a spiderweb attached to the arm.” 
“Or like something I might have drawn as a kid when I was playing
‘hangman,’” said  Morgan, now peering over McKinsey’s shoulder.  
 “No, I don’t personally know anything about that mark”
McKinsey replied, “but there has been extensive scholarly work
done on each folio of the Book, so I will see if I can find anything
about it. I will make a note of it, on folio 301r.”  
As the three carefully perused the remaining pages of John’s gospel,
Ransom noticed that the Book ended before the completion of
the gospel’s twenty-one chapters.  
He looked at Rochel McKinsey. “Where is the ending?”  
 “When the Book was stolen by Vikings a thousand years ago,
the thieves not only ripped off the Book’s jeweled cover, but
they also removed several pages.”  
“So, there are pages from John’s gospel that are missing?” Ransom asked.  
“Yes. For some reason the last folio page from John’s
gospel was removed a thousand years ago. For what reason, we have never known.”  


9. Konstantinovsky Palace, St. Petersburg, 2:10 am local time 

Vladimir Putin fingered the letter, turning it over and over in his hand.

The party committee leader in Crimea was right to have sent it directly to

him a year earlier when the bodies of the remaining two Romanov children,

Grand Duchess Maria and the Czar’s only son, 

Alexei, had been finally autopsied. The bodies had been discovered in

2007 in the forest outside Yekaterinburg. The letter, bearing the date

November 21, 1917, had been sewn into the fabric of the nightclothes

of Grand Duchess Maria, who would have been nineteen when she

was murdered. For the one hundredth time, Putin unfolded the letter

and read its contents: a message from a mother to a son, a son who

she was convinced would return to reclaim a throne.  

“My Dearest Nicky: As I write this letter, I no longer hear the guns. But
I hear that the guns have come for you and that they have taken you
from the palace. You know that my thoughts and prayers never
leave you. I think of you day and night and sometimes feel
so sick at heart that I believe I cannot bear it any longer.
But God is merciful. He will give us strength for this terrible ordeal.
As for me, I am not fearful of what is to come. I know that our family
will survive and that you will soon return to rule our people. Nicky,
should the day come that you need to call upon it, you need to know
that our family in Denmark harbors a secret, not a terrible secret,
as is harbored by so many of the royal families of Europe, but a
magnificent and ancient secret, in our family for a thousand years,
as described by the Son of Thor.” 

Putin looked up from the letter and pondered how much they had
learned since his Patriarch, Ilya Mikhailov, had connected the reference to the
“Son of Thor” with the Gospel of John in Dublin’s Trinity Library. Putin
had puzzled over that reference for weeks, knowing that the empress’s Viking
ancestors believed in many gods and goddesses, the three primary deities being Odin,
Thor, and Frey. Thor was Odin’s son and the most popular god who protected
humans from evil. But the patriarch had thought the reference to “Son of Thor”
was odd, because in Viking lore Thor was not known to have had sons.
The patriarch knew that Thor’s name in Viking lore meant “thunder,” and
to Vikings the sound of thunder was caused by the god’s chariot riding
across the sky. So the patriarch reasoned that Dagmar’s reference
must have been a clue to something else. Translating Dagmar’s reference
as “Son of Thunder,” Mikhailov immediately recognized the reference
to the New Testament and the Apostle John, who the early church nicknamed
the “Son of Thunder.” The patriarch knew that the most well-known
copy of the Gospel of John had existed “for a thousand years,”
as the letter referenced, and it was in Dublin, within the Book of Kells.  
Putin returned to reading the letter. “With the secret lies the key to
your return to the throne, and indeed to ensuring Russia’s
predominance among the empires of the world. To call upon it,
you need only come to me. Or if I am gone, then to your cousin
on the Danish throne, to the home where we enjoyed such
wonderful Christmases in years past. My thoughts are
with you always, my dear Nicky, just as the arms of God
are wrapped around you. With Love, Mama.”
  He put the letter down. “I know we are close, Empress.
I know we are close, and that the secret you tried to share
with your son will soon be mine.” 


About the Author


James P. Cain’s remarkable career has spanned the fields of law, business, politics, sports and international diplomacy. From volunteering on Ronald Reagan's first Presidential campaign, being featured on CBS's 60 Minutes at the age of 27, to becoming a partner in an international law firm, serving as President of the NHL Carolina Hurricanes, and later as U.S. Ambassador to Denmark, Ambassador Cain has operated at the highest levels of leadership and public service for over five decades.

A personal encounter with Islamic terrorism in 2016 became the catalyst for writing Reign of Secrets.

Reign of Secrets is the first in a series of Whit Ransom novels.

His first book, The American, written during the last few months of his diplomatic service, was a Bestseller in Denmark.

Ambassador Cain and his family live in North Carolina.


Contact Link

Website


Purchase Link

Amazon


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Book Tour and Giveaway: The Serpent's Order by SZ Estavillo

 



The Serpent Series, Book 4


Thriller

Date Published: 02-10-2026

Publisher: Oliver-Heber




An assassin bound by obedience. A detective marked for death. A cartel war with no survivors.


Von Schlange thought she’d escaped her past. Now Black Nova owns her—an elite, off-the-books task force where obedience is survival and failure means death. As their newest assassin, she’s unleashed on targets tied to Jaxon Ryker, a drug lord buried deep in the Alaskan wilds.

Her partner, Xander Holt, a former Navy SEAL with ice in his veins, lives by the same brutal code: no attachments, no lines crossed. But as missions turn bloody, the fragile boundary between partner and lover begins to blur—and desire becomes its own kind of danger.

Across the country, Detective Anaya Nazario faces a nightmare of her own. A synthetic “zombie drug,” deadlier than fentanyl and immune to Narcan, is ripping through Los Angeles. Her investigation exposes a network of dirty cops shielding Ryker’s empire—and puts a target squarely on her back.

Two women on opposite fronts. One war against corruption and cartel power. And a single truth—every betrayal leaves a body behind.


Explosive, unrelenting, and razor-sharp, The Serpent’s Order propels the Serpent Series into its most dangerous chapter yet—where justice is a myth, and survival comes at a price paid in blood.

 


Author Interview
How long have you been writing?

SZE: I’ve been writing since I was about seven or eight years old. I carried a pen and paper everywhere and filled notebooks with stories and poetry. Writing has always been part of who I am.


I didn’t get published until I was 48. While many writers publish much younger, I consider myself a late bloomer—and I’m okay with that. What matters most is that I never gave up on my writing or my goal of being published.


I was once agented and had literary representation for about five years. During that time, I was on submission with four manuscripts over roughly four years. None of them were picked up, and two of those books were considered “dead on submission.”


Those same two books were originally written as a duology, and after I parted ways with my agent, a small press saw potential in them. What began as a duology became a three-book contract. When those books were published and performed well, the contract was extended to an eight-book deal, and I’m hopeful it may continue to grow.


The journey hasn’t been fast or easy, but it’s been built on persistence—and believing in the work even when the industry said no.

What is your writing process like? Are you more of a plotter or a pantser?

SZE: I’m a hybrid between a plotter and a pantser. Because I write a series, I have to plot things out to maintain consistency, but I still leave room for discovery while drafting. When you’re working across multiple books, it’s not just the main characters you have to track—it’s supporting characters, minor characters, and antagonists, too.


I keep detailed character lists for each book and save them, because many of those characters carry over into future installments. Consistency and cohesion across the entire series world are critical, and that requires planning.


My actual writing schedule is very sprint-based. I’m a mother and I work a day job as a social media marketing specialist and content strategist with over ten years of experience. I don’t have eight to ten uninterrupted hours to write, so I work in pockets of time. Some days it’s 300 words here and 300 words there. Other days it might be 250 words, and occasionally it’s 1,000. As long as the book keeps moving forward, I’m satisfied.


Once a draft is complete, I revise extensively. I upload the manuscript to Kindle and listen to it using Speechify Pro while following along with the text. Hearing the book aloud helps me catch errors in pacing, dialogue, and flow that I might miss on the page. I revise the manuscript multiple times before sending it to my editor at the publishing house, where we go through another round of edits together.


The revision process doesn’t stop there. I’m also actively involved in the audiobook production, working closely with the narrator on voice, pacing, and delivery. At every stage—drafting, revising, editing, and audio—there’s always refinement happening. Writing the book is only one part of the process; shaping it into its final form takes time and care.

How did you come up with the ideas for your series?

SZE: The idea for the Serpent series began with The Serpent’s Bridge, which I started writing in 2019. I was deeply affected by stories about undocumented immigrants being targeted, and I wanted to explore those issues through a crime-thriller lens. The book includes an ICE agent and an immigration rally in Los Angeles.


Interestingly, I almost cut the rally entirely. At the time, I worried it felt unnecessary or unrealistic—like something that wouldn’t actually happen. But years later, immigration protests and anti-ICE rallies became far more visible across the country. What felt questionable in 2019 became strikingly relevant later on.


It’s important to note that I didn’t write this book in response to recent events. The story was written years earlier, well before the current wave of protests. I wrote it in 2019, but it wasn’t published until 2024, which gave it an unexpected timeliness I couldn’t have predicted.


As the series continued, the focus shifted. Book Two moved away from immigration as the central theme and leaned more into trauma, vigilantism, and moral ambiguity. That’s where the character of Von Schlange truly emerged and began to shape the direction of the series.


Detective Anaya Nazario’s storyline is also deeply personal. Her father was murdered and was the highest-ranking Puerto Rican officer in LAPD history—an element inspired by my own family background. My uncle was the highest-ranking Puerto Rican officer to reach three-star status in New York, a decorated veteran and FBI Academy graduate, and my father worked in border patrol and customs.


My family history, my experience as the child of an immigrant, and my perspective as a BIPOC author all influence the series. At its core, the Serpent series grew from personal history, social realities, and a desire to explore justice, trauma, and power through crime fiction.

How do you celebrate finishing a book?

SZE: Finishing a book is a little surreal for me, because I’m almost always juggling multiple stages at once. While one book is launching, I’m usually already writing the next. For example, as The Serpent’s Order releases, I’m actively promoting it—running ads, organizing book tours, working with my publisher on things like Goodreads giveaways—while also writing the next book in the series.


It can feel like a never-ending cycle. There’s always marketing to handle, ARC readers to coordinate, and the next deadline waiting.


That said, I do try to celebrate in simple, meaningful ways. I’m happily married and a mom to two kids—a ten-year-old daughter and a four-year-old son—and when we can, we go out together. Sushi is usually our go-to. We don’t celebrate every single book in a big way, but we make an effort to pause, be together, and acknowledge the moment before jumping back in.

What would you tell a writer who is just starting out? What program do you use for writing? What advice would you give to a writer working on their first book? What’s your writing software of choice?

SZE: In terms of tools, I keep it very straightforward. A lot of writers love Scrivener, but it’s never worked for me. I’ve experimented with plotting software in the past, but ultimately, I always come back to a good old-fashioned Word document. I use Word to write the manuscript, separate Word docs for character lists, and another for plot points. For me, writing software often complicates the process instead of helping it.


As for advice on writing your first book—don’t rush it. There’s a lot of pressure online to write fast or hit massive word counts in short periods of time. Speed can work for some writers, but fast doesn’t always mean good. I’ve known many writers who wrote extremely quickly only to realize later that most of the draft had to be discarded because of plot holes, character issues, or structural problems.


Writing isn’t a competition. It’s better to focus on quality than quantity, to let the story develop fully, and to give yourself the space to learn as you go. The goal isn’t to outwrite anyone else—it’s to write the best version of your book.

How do you organize everything and finding the time to sit down and write?

SZE: I keep my process very simple. I organize everything in Word documents—I don’t use specialized writing software to plot, write, or organize my books. For me, additional tools tend to complicate the process rather than streamline it.


Because I’m contracted to write a series, organization is especially important. I maintain detailed character lists in Word, tracking everyone from major characters to minor and morally gray ones, as well as antagonists. Many of these characters carry over from book to book, so I regularly reference character lists from previous installments to stay consistent across the series.


For plotting, I use a beat sheet. I have a film background, so this approach feels natural to me. My beat sheets are simple—focused on what needs to happen from chapter to chapter rather than a rigid, overly detailed outline. I’m a hybrid plotter-pantser, so I like having structure without locking myself into it completely.


As for finding the time to write, I work in realistic windows. I don’t wait for long, uninterrupted stretches that rarely exist. I write when I can, in focused bursts, and rely on my organization system to help me drop back into the story quickly. Consistency matters more than perfect conditions.

As an author, what would you choose as your spirit animal?

SZE: I’d definitely choose a dog as my spirit animal. I love all animals—I even have guinea pigs—but dogs have always felt like home to me.


I recently said goodbye to two senior dogs who were with me for a long time: Abraham, who lived to 17 and a half, and Abigail, who made it to 18. Losing them was incredibly hard. Now we’ve welcomed a new addition to the family—a seven-month-old silver Labrador named Chloe.


Chloe is smart, intuitive, deeply affectionate, and incredibly sensitive. She’s a true family dog, and that combination of loyalty, empathy, and resilience is exactly why I’d choose a dog as my spirit animal.


Who has been the biggest supporter of your writing?

SZE: My husband has been my biggest supporter, without question. He’s a short-form writer, journalist, editor, and the chief content officer at his company, so he understands both the creative and professional sides of writing.


He takes the kids when I need time to write, keeps them busy, and has even edited my books at times. More than anything, he’s my cheerleader—especially on the days when I feel discouraged or like I’m not doing enough as an author. He’s always reminding me of what I’ve accomplished and helping me keep perspective.


I honestly wouldn’t have been able to do this without his support, and I’m incredibly grateful for him.


How do you name your characters?

SZE: Naming characters is a mix of instinct and personal reference for me. I often draw from real life—sometimes starting with initials or the rhythm of a name I’ve encountered before, then reshaping it until it feels right for the character.


Because I write crime thrillers, names also have to fit the world of the story. I think about background, culture, geography, and tone. A name has to feel believable on the page and match who that character is—whether they’re a detective, a criminal, or someone morally gray.


I’ll often write scenes and dialogue using a name to see how it reads. If it sounds natural and fits the character’s voice, I know I’ve found the right one.


Can you describe a typical day in your writing life?

SZE: A typical writing day for me is built around real life. I’m balancing kids, a day job, and writing, so my schedule isn’t rigid. When my kids are in school, I try to fit in writing sprints whenever I can. I don’t have the luxury of sitting down for eight uninterrupted hours, so my writing happens in pockets—sometimes during the day, sometimes in the afternoon, and often at night.


When I add those sessions together, they usually lead to steady progress. Some days I write a thousand words or more. Other days it might only be a couple hundred—and that’s okay. What matters to me is staying connected to the story and not walking away from it. Consistency, not perfection, is what keeps the book moving forward.


SZ, Thank you for being here at Always Reading, Melissa

About the Author


As a BIPOC thriller author, she previously parted amicably with her agent and, three months later, secured an eight-book deal with Oliver-Heber Books—now boasting 24,000 downloads in its first year and a BookRaid bestseller ranking in the thriller category. The Serpent Woman (Book 2) reached #1 on Amazon and topped all three of its categories. Her background spans literary agencies and TV studios, where she contributed to greenlit screenplays that became Lifetime movies. She holds a Master’s in Television, Radio, and Film, has taught author branding workshops (L.A. Writer’s Conference, North Texas RWA), and maintains a 100K+ social media following.


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