Friday, February 6, 2026

Book Tour: Inside USAID: An Odyssey of Foreign Assistance by Clifford Brown

 




Current Events/Politics

Date Published: September 26, 2025

Publisher: MindStir Media



This book gives needed context for the current controversy about the US foreign aid agency, USAID. One evaluation described it as "an eye-opening, sharply insightful, and often humorous look into the inner workings of USAID and the broader world of US foreign assistance. Blending memoir, policy analysis, and rich storytelling, the book delivers a compelling behind-the-scenes portrait of what it means to work in international development, from the surreal bureaucracy to the life-threatening assignments abroad."

Inside USAID is an insider's view of some of the sillier aspects of government bureaucracy, revealing the adventurous, often risky life of diplomatic staff posted in third-world countries as well as some of the waste in the system. It also takes readers through some fascinating and dangerous events in the author's own twenty-seven-year career with USAID, peeling the curtain on nearly three decades of diplomatic service across seven countries, sharing war-zone experiences, absurd government acronyms, failed aid attempts, and moments of genuine impact.

The stories balance critical reflection with a deep appreciation for the ideals behind U.S. foreign aid. The book is both a tribute to the unsung heroes of development work and a critique of the system's inefficiencies, political intrusions, and sudden dismantling. It contextualizes the countries historically, politically, and economically, off ering readers a nuanced understanding of how aid shapes (and sometimes fails) entire nations. The book also is both a eulogy and a call to action for rebuilding what the author sees as one of the U.S.'s most effective foreign policy tools.

Witty, wise, and often sobering, Inside USAID is a must-read for policymakers, development professionals, historians, and anyone who wants to understand the real stories behind America's global influence through foreign aid.

 


Excerpt

CHAPTER 2:  WHAT IS (OR WAS) USAID?


Before getting to my own stories, here’s a short description of USAID and a bit of commentary about foreign aid generally.


Examples of US foreign aid can be found that predate the Marshall Plan to rebuild Europe following World War II, but they are few and far between. Congress appropriated $50,000 to help survivors of the earthquake that destroyed Caracas, Venezuela, in 1812. After World War I, the US provided $387 million to the Committee for Relief in Belgium to help feed the hungry. Before he was president, Herbert Hoover, as the head of the American Relief Administration, led a large relief effort to address famine in Soviet Russia from 1921 to 1923. There were some others, but the modern version of our foreign aid program, most of which has gone through USAID, dates from a 1961 Executive Order by President Kennedy and the Foreign Assistance Act enacted the same year.


There was never a consensus about how to say the Agency’s name. Some pronounce each letter—you ess ay eye dee—while others say yoose aid, accent on the yoose. Earlier it had been called simply “AID,” a clever acronym that officially meant, not “aid” in the sense of assistance, but rather “Agency for International Development.” They could have said “for economic development,” which would have been more accurate and understandable, but then the acronym would not have been a cute pun.


A word about the many other acronyms used throughout the foreign aid world: These show, in small part, the great variety of targets USAID was asked to deal with, for which we often went to great effort to develop meaningful project names. Some examples:


• SUPER (Support for Uganda Primary Education Reform)


• PEACE (Programming Effectively Against Conflict and Extremism)


• ASPIRE (Achieving Sustainable Partnerships for Innovation, Research, and Entrepreneurship)


• BRIDGE (Building Research and Innovation for Development, Generating Evidence)


To lighten the bureaucratic grind, I once half-jokingly suggested one for a project I still seriously think could be used to combat the rampant sexual violence in so much of Africa: EMAJO (Encouraging the Men of Africa to Jerk Off).


***


Structure—How it Worked


USAID had a large staff of civil servants, both foreign service (FS) and civil schedule (GS, for “general schedule”), in Washington, DC. It was divided into operating units, most of which were called Bureaus. Some were geographic; some were thematic, related to crosscutting areas or functions (health, education, management, policy, legislative affairs, and more). Names of the Bureaus changed, but the functions remained largely the same during most of my career.


Overseas, USAID had Missions, most of which (when I joined in 1987) were offices physically located in their own buildings. After 9/11, Missions were moved into the more-secure embassies. In 2024, there were about sixty Missions, but the number was nearly one hundred at one time. Most of the larger Missions were organized around the so-called “technical” areas: health, education, agriculture, economic growth, democracy and governance, etc. Each Mission also had its respective “support offices,” such as the legal advisors, the contracting and grants officers, the financial controller’s office, and the “program office.” The latter was the office most directly involved in assisting the Mission Director and, if they had one, the Deputy Mission Director, with planning, budgeting, and reporting to DC.


Each Mission was staffed with both local and American employees. Some might have had only one or two Americans; some twenty or more. The acronyms here were USDHs, for US direct hires, and FSNs, for foreign service national employees, i.e., local staff. The overseas USDHs were most generally members of the US foreign service, but sometimes we would have people from other federal agencies, like the Center for Disease Control (CDC) or Forest Service, or even from the Department of Justice or Treasury, on loan. There also was an important group of staff called “personal service contractors” (or “PSCs”), who were under time-limited contracts and did not participate in either the civil service or foreign service retirement plans. USAID had both US, local, and even third-country PSCs.


Most, though not all, of the actual work of foreign aid was carried out through the “implementers”—organizations, whether for-profit companies, nonprofit organizations, or universities, who, with some exceptions, competed for financing. The group also included public international organizations (PIOs) such as the World Health Organization or other UN organizations. 


Two former USAID lawyers created a school in Rome and qualified it for “public international organization” status. It was the International Development Law Institute, IDLI—now IDLO, because the “institute” became an “organization.”


Agreements with implementers fell into two broad categories: contracts and assistance instruments (aka, “grants”). The main distinction is that contracts gave the Agency more control. Assistance instruments imposed less onerous reporting requirements on the recipients and sometimes could be put in place more quickly. There was a category of assistance instruments called “cooperative agreements” which allowed for more management involvement by the Agency but were still not legally “contracts.” They, like ordinary grants, had fewer remedies if there was a mistake, but they allowed for more direct USG participation in the management. Both contracts and assistance instruments normally had to be awarded following federal regulations requiring competition, but there were ways to avoid competition in the right circumstances, such as a grant to a PIO, or when it was clear that only one organization could do the work well or on time. To design, compete for, and award any instrument could take many months, often well over a year.


The implementers had their own staffs, both local and US-based, or even from third countries, normally housed outside the USAID Missions. (Some of the most heartbreaking stories from the destruction of USAID involve the non-US implementers, for whom we have abandoned the teach-aman-to-fish approach and instead thrown them under the water.) The boss of an implementer’s staff was called the “Chief of Party” or COP. COPs normally took their instructions from the Missions, although some of the so-called “Central Bureaus” (the crosscutting, thematic Bureaus without geographic names) managed overseas implementers.


What these implementers really did in country obviously depended on the project design and area of work. The variety of work was mind-bogglingly extensive. A list of random examples follows, minus any cute acronyms. They are all but drops in a very large bucket:


• Teach tax collectors better ways to detect corruption.


• Teach teachers better ways to teach kids how to read.


• Teach hospital managers better ways to manage.


• Teach poor communities the how and why of eco-tourism and forest preservation.


• Teach judges and local lawyers how to implement a trial-by-jury system.


• Organize community health workers to spread information about sanitation practices


• Teach local aspiring entrepreneurs how to, say, sew and market their products or make chocolate candy from locally grown cocoa instead of only exporting the beans.


• Create a network of farm suppliers to lobby their own government for reforms.


• Teach farmers how to better manage and maintain a group irrigation system.


• Set up a group of human rights defenders in the country to defend prisoners.


• Give training to game wardens on how to best detect poachers.


• Help local emergency response agencies get better prepared.


• Install more effective payment systems in rural communities to facilitate commerce.


• Teach local governments how to detect stealing from the national electrical grid.


• Create a microfinance organization to make small loans to groups of women entrepreneurs.


This bullet list could go on for pages, perhaps occupying this entire book, and other books could be written about each such bullet.


For any one of these, there could also be a “please buy and provide the following stuff to ____” budget line item. Where I worked, the biggest part of the program was normally for staff and travel. The projects and programs I saw financed a lot of meetings, mainly for training and consensus-building, both critical for true social change. In a few countries, however, the “stuff” part would be a majority of the budget: roads in Afghanistan, schools in Pakistan, etc.


USAID was charged not only with promoting economic development overseas but often also with accomplishing US goals concerning a host of other issues, basically anything for which the USG at any given time decided a nonmilitary response was necessary and appropriate. As shown, this is an enormous universe of possibilities, so setting priorities was difficult. Our jobs were to choose the technical areas to focus on in each country (or accept priorities given to us by Congress), justify our choices to the State Department, the Office of Management and Budget and Congress, put the agreements in place, and then facilitate, monitor and adjust the work of the implementing partners when necessary. We support staff (lawyers, controllers, contracts officers, program officers, etc.) were not the technical experts. Instead, we had the privilege of dabbling in thousands of different subjects while doing our main jobs. The same was true for the senior managers as I learned after I became one.


The term “AID” itself did not automatically announce that the Agency was part of the US government. It could be mistaken for the name of some international or UN organization, e.g., the IMF, ADB, OAS, WFP, OECD, etc. Such confusion was never intended, but at one point in my career a USAID Administrator insisted that we only call it USAID. The shorter acronym nevertheless remained in use at the State Department (they all knew the US bit anyway, and he was not their boss), so “AID” can still be heard there and among academics. USAID had long been an independent agency with its own appropriation. It was always much smaller than State, and, by law, required to “take direction” from State. Since ambassadors could expel any one of us at any time for any reason, or even for no reason, on a personal level the US Ambassador was always the ultimate boss of field staff in any country.


In most countries, USAID was not the only aid donor. Most major Western countries, along with Japan, New Zealand and Australia, have aid programs. Except for some of the UN units, these normally do not have large staffs in the countries. They also often use other implementers. The United Nations Development Program (UNDP), the various Development Banks, the World Food Program (WFO), etc., are examples of such donors. While it is dwarfed by the “military/industrial” complex, the foreign aid/consultants/PVO 4 complex was and remains a very large industry.


***

About the Author


Clifford Brown is a retired Senior U.S. Foreign Service Officer who served for 27 years with the U.S. Agency for International Development (USAID), including roles as Mission Director, Deputy Mission Director, and Regional Legal Advisor. His work took him to postings in Kenya, Honduras, Guatemala, Nicaragua, Colombia, Kyrgyzstan, Guinea, Peru, and Washington, DC, with regional responsibilities spanning numerous additional USAID missions.

Before joining USAID, Brown practiced commercial law for eleven years in Los Angeles as a partner at Ervin, Cohen & Jessup in Beverly Hills, California. He holds a Bachelor’s degree in Economics from Whitman College, where he was also a Thomas Watson Fellow, spending a year conducting independent research in Latin America. He earned his Juris Doctor from UCLA School of Law, where he served as Managing Editor of the UCLA Law Review.

Brown is the author of Dilettante: Tales of How a Small-Town Boy Became a Diplomat Managing U.S. Foreign Assistance (2021), a collection of stories tracing his path from early work on farms, railroads, and tugboats in Eastern Washington to a career in international law and diplomacy. He is retired in Maryland.


Contact Links

Website

X.com at @bliffordcrown

Kirkus Review


Purchase Link

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RABT Book Tours & PR

Book Tour: Do What You Love and Outsource Everything Else by Kelly Lorenzen

 



Entrepreneurship 101: Start, Grow, and Succeed Without Burning Out 

Nonfiction - Small Business / Entrepreneurship / Workbook. 
Date Published: November 20, 2025
Publisher: Manhattan Book Group

Do What You Love and Outsource Everything Else® is a practical, no-fluff guide and workbook for new and growing entrepreneurs who want to build a sustainable business without burning out. Written for real life and small businesses, this book meets you exactly where you are, whether you’re launching from a tiny town, running a family-owned shop, or growing something scrappy in a big city.
Designed to be read and used at the same time, this Entrepreneurship 101 resource helps business owners gain clarity, create momentum, and reclaim breathing room. Readers are guided to read a little, do a little, and see results without overwhelm or jargon. The approach is grounded, actionable, and written by a fellow business owner who understands the realities of building while juggling life.

Who It’s For
●     New and newer entrepreneurs, solo or family-run, who feel stretched thin or overwhelmed.
● Small-business owners who want simple, real-world guidance, not theory or hype.


Why It Matters Now
●     The way we market, operate, and grow has changed. In 2025, overwhelm is common and delegation often comes too late. This book provides a clear, practical path to simplify sooner, outsource with confidence, and protect your energy as you grow.


What Readers Will Gain
●     Bite-size guidance you can act on immediately.
●     Encouragement from an entrepreneur who has built, led, and rebuilt through real-life challenges.
● A clear roadmap to build a business that supports your life, not one that consumes it.


Drawing on more than two decades of experience as an entrepreneur, CEO, and philanthropist, author Kelly Lorenzen, PMP, shares proven strategies for confident delegation, streamlined marketing, and systems that actually work. Her personal journey, including navigating health setbacks and professional rebuilds, shapes the grounded, compassionate advice throughout the book.


Each chapter concludes with simple, step-by-step momentum exercises designed to help readers implement what they learn right away. Inside, readers will discover how to:


●     Build a brand that sounds like you and connects with the right audience.
●     Create marketing systems that work on repeat.
●     Delegate without losing control or quality.
●     Build systems that keep running, even when you can’t.
● Reclaim your calendar, avoid burnout, and future-proof your business.


Do What You Love and Outsource Everything Else® is the practical playbook new and growing entrepreneurs wish they’d had from day one. It is clear, encouraging, and designed for sustainable success.

 


Excerpt

Starting your own business is equal parts thrilling and terrifying. It demands that you grow in ways you never imagined, that you face fear head-on, and that you learn to believe in yourself. I often compare entrepreneurship to learning a new language as an adult while riding that roller coaster ride; At the same time! The adrenaline rush and the steep learning curve are inseparable. One minute you’re flying, and the next you’re free-falling and questioning everything. And here’s what nobody talks about enough: how uncomfortable it really is. 


But discomfort does not have to be a bad thing. The uncertainty, the trial and error, the self-doubt, it is all part of the process. You can use it as fuel. It’s through discomfort that you learn resilience. Every challenge sharpens your decision-making skills. Every misstep teaches you how to pivot. Every failure fuels innovation. And every time you rise again, you show the world what’s possible; not just for you, but for anyone watching.

About the Author

 

 My name is Kelly Lorenzen, PMP, and I am an award-winning entrepreneur and the CEO of KLM Consulting, Marketing & Management. I am also a podcast host, speaker, breast cancer survivor, author, wife, and mom. With more than two decades of experience building and scaling companies and coming from a long line of entrepreneurs, I am deeply committed to helping small and family-owned businesses succeed.
My team, often referred to as “business owner duplicates”, partners with clients as a fractional C-suite and project implementation arm, helping business owners simplify operations, hand off marketing, build systems, and scale sustainably. The goal is simple: allow owners to focus on what they love while confidently outsourcing the rest.

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RABT Book Tours & PR

Cover Reveal: Crooked by Vi Keeland & Penelope Ward

 



Title: Crooked
Authors: Vi Keeland & Penelope Ward
Genre: Standalone Contemporary Romance
Cover Design: Sommer Stein, Perfect Pear Creative
Photographer: Michelle Lancaster, @lanefotograf
Model: Andrew Murray
Release Date: March 29, 2026


BLURB

A new, sexy standalone novel from New York Times Bestsellers, Vi Keeland and Penelope Ward…

 

The last thing I needed was a live-in bodyguard. And I definitely didn’t want him. Six foot two, with broad shoulders that were impossible to ignore and a talent for getting in my way, Wes Callahan was a walking bad decision.

 

But when you’re the daughter of a notorious mob boss, apparently your opinions stop mattering the moment your father ignites another war. I’d spent my entire life trying to escape that crooked world—new name, new city, newfound freedom. At least until I was suddenly shacked up with my new bodyguard. 

 

Wes knew exactly how to push my buttons. He was also infuriatingly protective. And smart. And funny. And thoughtful when he thought I wasn’t paying attention.  Little by little, the walls I’d built started to crack, and falling for the bodyguard became the most dangerous thing I’ve ever done. Because if my father found out, Wes wouldn’t just lose his job. He’d lose his life. 

 

Getting involved with him was reckless, yet I couldn’t find a way to stop it, no matter how hard I tried.  But while I was busy losing my heart, the man who took it was hiding a secret. 


And it turned out, the most dangerous man in my life wasn’t my father after all—it was the one who threatened to break my heart.







PRE-ORDER LINKS

AMAZON US / UK / CA / AU

AUDIO PREORDER TO COME


Sign up for Penelope & Vi's mailing list now and be the first one notified when it goes live!







VI KEELAND


Vi Keeland is a #1 New York Times, #1 Wall Street Journal, and USA Today Bestselling author. With millions of books sold, her titles are currently translated in twenty-seven languages and have appeared on bestseller lists in the US, Germany, Brazil, Bulgaria and Hungary. Three of her short stories have been turned into films by Passionflix, and two of her books are currently optioned for movies. She resides in New York with her husband and their three children where she is living out her own happily ever after with the boy she met at age six.



PENELOPE WARD


Penelope Ward is a New York Times, USA Today and #1 Wall Street Journal bestselling author of contemporary romance.

She grew up in Boston with five older brothers and spent most of her twenties as a television news anchor. Penelope resides in Rhode Island with her husband, son, and beautiful daughter with autism.

With millions of books sold, she is a 21-time New York Times bestseller and the author of over thirty novels. Her books have been translated into over a dozen languages and can be found in bookstores around the world.





Cover Reveal: Change the Play by Kaylee Ryan

 



Title: Change the Play
Series: Nashville Rampage #5
Author: Kaylee Ryan
Genre: Contemporary Sports Romance
Tropes: Football/Found Family/Forced Proximity
Workplace Romance
Cover Design: Lori Jackson Designs
Special Edition Cover Design: Books N Moods
Release Date: March 3, 2026


BLURB

NYT and USA Today Bestselling author Kaylee Ryan brings you a new standalone series surrounding the Nashville Rampage football team. Change the Play is a found family, forced proximity, workplace, sports romance.

Foster

I learned early how to survive on my own. Keep my head down and my past locked away.

My childhood taught me that nothing lasts and no one chooses you forever. So I built a life free from love—and pain.

Football gave me discipline. Success gave me distance. Silence kept me safe.

Then Eden walked into my house.

My new housekeeper. Someone meant to clean my messes and remain on the edges of my life.

Except she didn’t stay on the edges. She saw me—really saw me—and didn’t look away. Her laugh somehow turned my empty house into something that felt like a home.

With her, the walls I spent years building began to crack.

Loving her means risking everything. It means believing I’m worth choosing. She makes me want to stop hiding… and change the play.

Eden

I know what it’s like to grow up unwanted. To pack your life into boxes and pretend it doesn’t hurt when no one ever unpacks them for you.

Loneliness taught me independence and resilience, to build a family from the people who stay. I never expected more.

Then I met Foster.

He’s quiet and guarded, carrying the weight of a past he refuses to name.

Working for him was supposed to be simple—do my job, keep my head down, don’t cross lines.

But the more time we spend together, the more I see the man beneath the armor. The one he hides from the world.

We weren’t looking for love. Yet somewhere in the stolen moments, we chose each other.

And for the first time, I’m not just building a family—I’m finally home.








PRE-ORDER LINKS

AMAZON US / UK / CA / AU

Only available at the following
retailers for a limited time







AVAILABLE NOW


AMAZON US / UK / CA / AU

All free in Kindle Unlimited






ALSO COMING SOON


Releasing May 19

AMAZON US / UK / CA / AU

Only available at the following
retailers for a limited time







AUTHOR BIO



New York Times and USA Today Bestselling author Kaylee Ryan has been crowned the Queen of Swoon by her readers. With nearly fifty romance books under her belt, she’s known for penning happily ever afters with heart. When she's not writing, you can find her with a book in her hand or hanging out with her family where she resides in her home state of Ohio.


AUTHOR LINKS


Thursday, February 5, 2026

Audiobook Tour and Giveaway: Treacherous Hack by Kevin Chapman

 




Mike Stoneman #7


Mystery / Thriller / Police Procedural

Date Published: 01-04-2026

Publisher: First Legacy Publishing



From the award-winning Mike Stoneman Thriller series comes Book #7 — a gripping crime thriller set in the heart of a frozen New York City.


When electronics store owner Lou Palazzo is gunned down at a snowy Manhattan intersection, NYPD homicide detectives Mike Stoneman and Jason Dickson catch a case that’s anything but ordinary. Back at Lou’s shop, two Chinese nationals linked to a powerful Shanghai cybercrime ring are dead. The only clue? A missing laptop computer, possibly containing something Lou was willing to die to protect.


Meanwhile, NYU student Ryan Gelb is panicking. His hacked laptop held the stolen university data — data he quietly gave to his Uncle Lou. Now Lou is dead, and whoever killed him is coming for the file. . . and for Ryan.

Caught between international cybercriminals, New York mobsters, and the police, Ryan is desperate to recover the file and avoid being expelled — or worse, executed.


As Mike and Jason untangle a web of secrets, lies, and digital deception, they're met with stonewalling from all sides: NYU won’t talk, witnesses are hiding the truth, and even their closest allies are keeping dangerous secrets.

With the body count rising and a deadly showdown looming, the race is on to solve the mystery, recover the missing file, and avoid turning Lower Manhattan into a bloodbath.


Perfect for fans of Michael Connelly, John Sandford, and David Baldacci, this high-stakes police procedural mixes hard-boiled action, cybercrime intrigue, and unforgettable characters in a page-turning thriller you won’t be able to put down.

 


Author Interview

Tell me about yourself. Where are you from?  

KC: I am originally from a little town in Northwest Washington State called
Port Angeles. I moved to New York City in 1979 to attend college. Since
then I’ve lived in New York, Boston, and for the last 31 years in
Central New Jersey.

What genre do you read? Who's an author you read? Name your top 5 authors.

KC: I love science fiction as well as my own genre – mysteries and thrillers. I also enjoy a good biography. But I’ll ready almost anything if it’s well-written.  My top 5 authors are: Michael Connelly, Robert Heinlein, Isaac Asimov, Sara Paretsky, and Linda Barnes.

What book are you reading right now, and what do you like about it?

KC: I just finished a mystery/thriller that is also a travelogue of Italy by an author friend of mine named Victoria Weisfeld. It’s called She Knew Too Much. I enjoyed Vicki’s amazing prose, filled with wonderful similes and phrase-turning descriptions that I wish I could write better. 

Favorite sports.  

KC: I’m a huge New York Mets fan, but also generally a baseball fan. My wife and I have seen games in every current major league stadium (which is a great hobby). I’m also an avid tournament poker player, which is a sport in my book.

Favorite thing about your state you live in.

KC: New Jersey has a surprisingly wide offering of interesting things to do and see. The Grounds For Sculpture is an amazing facility near our home. It was created by Seward Johnson, a sculptor who is also an heir to the Johnson & Johnson fortune. He built up the huge sculpture park on the grounds of the former New Jersey State Fair and has hundreds of sculptors who have contributed pieces to it. I highly recommend it – in Lawrenceville, NJ.

How long have you been writing?

KC: I’ve been writing all my life, including poetry as a teen along with song lyrics. I wrote my first fiction in college and my first novel in 1991. But I’ve had a day job and children that kept me busy until 2014 when my youngest graduated high school. Since then, I’ve been writing more regularly, publishing a serious literary novel (A Legacy of One) in 2016, then turning to my current crime-fiction series and its related non-series books. I’ve published nine mystery/thrillers since 2018.

What is your writing process like? Are you more of a plotter or a pantser?

KC: I am a compulsive outliner. I don’t start writing text or dialogue until every scene in the movie (book) is outlined. Typically, the detailed outline of my books runs 35-40 pages before I sit down to write the first actual text.

How did you come up with the ideas for your series?

KC: The original idea for the Mike Stoneman series came from a short story I wrote in 2012 for a contest sponsored by the New Jersey Corporate Counsel Association. (I’m a lawyer by trade and work in-house, so the NJCCA is my professional association.) The story had to be about law or crime and I came up with my New York homicide detective, Mike Stoneman, for that story – which won first prize! The story, titled Fool Me Twice is now available for free as a reader magnet on Amazon, Kobo, B&N, and from my website.

How do you celebrate finishing a book?

KC: When a finish a new book I dip into my good scotch collection and give myself a pour of something wonderful – a Glendronach 21 or a McCallan 25, for example. Mmmmmm. That’s a reward!

What would you tell a writer who is just starting out? What program do
you use for writing? What advice would you give to a writer working on
their first book? What’s your writing software of choice? 

KC: I write in Microsoft Word, which is fine. I have seen writers who use some of the advanced tools for tracking plot and keeping track of characters, which is great, but I never learned to use them. My advice for new writers is to take your time. Don’t rush. Don’t rush the writing, the editing, the story development, or the marketing. Write your first two books before you publish either of them. It takes patience that not many have, but I wish I had received that advice before I published the first book in my Mike Stoneman series (Righteous Assassin). Your first book in the series will always be book #1, and many people will only want to start reading with book #1. Make that book as good as it can be, because you will always be judged by it, even if your later books are much better.

How do you organize everything and finding the time to sit down and write?

KC: Since I no longer have children at home, my writing time is all that time that used to be devoted to them. Really, any evening when I don’t have work homework I will sit with my wife and watch TV (preferably a baseball game) and write. 

As an author, what would you choose as your spirit animal? 

KC: My spirit animal would be a fox. Quick, crafty, and resourceful. Always ready for an adventure.

Who has been the biggest supporter of your writing? 

KC: I’m very lucky that my wife, Sharon, is a huge help and support for me. She helps me plot my books, takes a detailed interest in my subplots and characters, does my “alpha” read for every book, and is my most ardent marketer and promoter. 

How do you name your characters?

KC: Sometimes, I have a name in mind that has special meaning for the character’s role in a story. For example, the murdered girl in my novel, The Other Murder was always Angelica Monroe. (Angelica was considered an angel, but that was not a true picture, as things turned out.) Lately, I’ve been asking my newsletter subscribers if they want their name to be used as a character in my next book, and many have volunteered. That way I’m using real names, although the characters don’t match their namesakes. When in doubt, I’ll use a name-generator program to give me ideas, then cross-check to make sure I’m not using a name that has been used as a major character by another author. Names are hard!

Can you describe a typical day in your writing life?

KC: Typically, I’ll finish day work day in my home office, have dinner with my wife and our live-in middle child, then put on my PJs and sit down in my chair in the living room and pick up wherever I was the night before. Sometimes it’s working on the first outline of a new story. Sometimes it’s filling in details on a detailed outline. Sometimes it’s working on a timeline of events, and sometimes it’s drafting the first draft. There is always something to be done. (And, sometimes, it’s marketing, or putting together my monthly newsletter, but that’s not nearly as much fun.)


Kevin Chapman, Thank you for being here with Always Reading-Melissa



About the Author



 Kevin G. Chapman is, by day, a buttoned-down corporate labor & employment lawyer who works for a major US media company. He frequently speaks at Continuing Legal Education seminars, has taught legal writing to law students, and is the past chairperson of the Labor & Employment division of the global Association of Corporate Counsel. When the work day is done, however, Kevin lives a much more exciting fictional life of crime and romance as the author of the award-winning Mike Stoneman Thriller series and other novels and short stories. When not busy writing, he enjoys playing tournament poker and cheering on his beloved New York Mets.

The awards are still coming in for Kevin’s six-book (so far) Mike Stoneman Thriller series. This series of police procedurals includes the WINNER of the 2021 Kindle Book Award (Book #3, Lethal Voyage) and the WINNER of the CLUE Award for best police procedural of the year (book #4, Fatal Infraction). Find all the Mike Stoneman Thrillers at your favorite local bookstore. If they don’t have it – ask them to get it, or contact Kevin directly at his website to order copies.

Kevin’s two stand-alone mysteries have also garnered major awards. Dead Winner (2022) was named best Suspense/mystery of the year (CLUE Award best-in-category), while The Other Murder (2023) was the GRAND PRIZE WINNER of the CLUE Award (best suspense/mystery all categories) and a NEIA Book of the Year Finalist. Kevin also has several short stories and one novella, all of which are available on his website for free. Grab the prequel to the Mike Stoneman series, Fool Me Twice, for free: https://www.amazon.com/dp/B086Z8GRCJ or at Kevin’s website: https://www.KevinGChapman.com

 

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