Always Reading: NBTM Virtual Book Tour: Tamanrasset by Edward Parr

Tuesday, December 16, 2025

NBTM Virtual Book Tour: Tamanrasset by Edward Parr

TAMANRASSET

Edward Parr

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GENRE: Historical Fiction

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BLURB:

TAMANRASSET is historical fiction set on the edge of the Sahara as the ancient world begins to fade and great empires collide. Four strangers—a mature Foreign Legionnaire, a Sharif’s wrathful son, an ambitious American archaeologist, and an abandoned Swedish widow—become adrift and isolated, but when their paths intersect, the fragile connections between them tell a story of survival and fate on the edge of the abyss. Blending the sweep of classic adventure with the horror of a great historical calamities, Edward Parr’s TAMANRASSET is a saga about the crossroads where nomads meet.

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EXCERPT:

The Sun had not yet risen above the ruins of the Mechouar Palace, but at the mosque nearby many Muslim people of the city of Tlemcen were already at their morning prayer. It was a great privilege to be admitted to one of the oldest mosques in Algeria, over eight hundred years old, and an even greater privilege to be allowed to pray before the mihrab there among the great white columns that lined the enormous hall. As the prayers ended, there was a gentle rustling of movement as the faithful rose and exited to the open and airy marble-tiled courtyard of the mosque, still quiet in the twilight of dawn. Isabel retrieved her leather boots and exited a side door beneath the shadow of the towering brick minaret. Covered by her tightly drawn dark brown burnouse, khaki pants, white shirt, and a black hijab, Isabel walked along the great stone wall to the main gate of the palace. The few buildings in the complex that were still usable had been made into offices for the French army, but the pool and gardens of the central courtyard were peaceful and shadowy. She passed an alcove that featured Islamic calligraphy carved into the stucco, and Isabel stopped to read it: “Allah is God, there is no god but He: the King.”

A quiet voice behind her asked: “Madame Pedersen?”

She turned to find a short, elegantly dressed French officer approaching her. His flat-topped white hair was soldierly, but his crisp, tailored uniform, polished boots, and wide waxed mustache displayed a carefully composed appearance.

“Peace be with you,” she said, casting her eyes downward and crossing her arm over her chest as she nodded.

“Peace be with you, Madame. I apologize if I disturbed you; will you come inside?”

“As you wish.”

She followed the French colonel to a charming wood-paneled room overlooking an orchard of citrus trees bearing large green fruit. The colonel sat on a bare wood chair beside a wide wooden table, crossed his legs, and twirled the end of his wide mustache. Isabel stood silently before him in a respectful posture.

“I have the greatest respect for your beliefs, my dear, but it would be helpful to me if you would sit and speak to me informally. Would you be so kind?”

“Of course,” she said and she sat on the chair beside his. Her demeanor now expressed more of her experience and self-assurance, her hijab more a symbol of her confidence than of her humility. The colonel raised an eyebrow in appreciation of her serene face and brilliant blue eyes.

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Edward Parr’s Tamanrasset: Crossroads of the Nomad

Blog Post 7

Why I Write Historical Fiction

I’m a big fan of people expressing themselves artistically, be it through writing, drawing, sculpting, singing, dancing, cooking or what-have-you, and I think it’s a great way for people to process and express their personal experiences. I like to write, and while I don’t aspire to be the next James Patterson or Ernest Hemingway, I do want to write stories that I (and hopefully others) enjoy reading. Given the state of our world right now and the really huge societal changes taking place, I don’t find our current environment to be too fun, and I’m not even going to pretend I can understand it all. I do enjoy reading fantasy fiction, but I especially like to look back to periods in the past and see in them something relatable and still relevant to us today. Having a “historical” lens allows the events of the past to be held, to a certain extent, at arm’s length so that we can see them better, a bit more objectively, and as a filter through which we can evaluate our own contemporary experiences.

In addition to liking the historical fiction genre empirically, I find that historical research is for me part of the fun of writing. I enjoy finding sources, learning the facts, delving into places, and coming to see what it would be like to actually be there. I seem to be drawn to the period before World War Two when different cultures and people were no longer as isolated and were beginning to converge and confront each other for the first time. But even then there was enough unknown that the world still contained mysteries and magic. Things could happen which were incredible. Also, part of my research has been to re-discover some of the excellent books which were written during that era but have been forgotten, to use as models and inspiration. My new novel, Tamanrasset: Crossroads of the Nomad, for example, was inspired by the classic French Foreign Legion pulp fiction genre which was hugely popular in the 1920’s to 1940’s. It’s also a genre fraught with cultural biases and prejudices, and I’ve tried to reinvent the adventure while leaving those problematic issues in the past. It’s a novel rich in history, detail, and human struggle, and I hope it one that will immerse readers in a world of peril, resilience, and discovery.

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AUTHOR Bio and Links:

Edward (“Ted”) Parr studied playwriting at New York University in the 1980’s, worked with artists Robert Wilson, Anne Bogart, and the Bread and Puppet Theater, and staged his own plays Off-Off-Broadway, including Trask, Mythographia, Jason and Medea, Rising and an original translation of Oedipus Rex before pursuing a lengthy career in the law and public service. He published his Kingdoms Fall trilogy of World War One espionage adventure novels which were collectively awarded Best First Novel and Best Historical Fiction Novel by Literary Classics in 2016. He has always had a strong interest in expanding narrative forms, and in his novel writing, he explores older genres of fiction (like the pulp fiction French Foreign Legion adventures or early espionage fiction) as inspiration to examine historical periods of transformation. His main writing inspirations are Charles Dickens, George Eliot, Bernard Cornwell, Georges Surdez, and Patrick O’Brien.

Socials:

Website: https://edwardparrbooks.com/

LinkedIn: https://www.linkedin.com/in/edward-parr-5808b15/

Goodreads: https://www.goodreads.com/author/show/7369165.Edward_Parr

Amazon Author: https://www.amazon.com/stores/Edward-Parr/author/B00GACO3NC?ccs_id=a023fe74-dd9a-429f-b56a-5cfe148dafc5

Reddit: https://www.reddit.com/user/DryCar9119AB/

Instagram: https://www.instagram.com/edwardparrbooks/

Facebook: https://www.facebook.com/profile.php?id=61576965808471

Amazon: https://a.co/d/44XsoJU

Barnes & Noble: https://www.barnesandnoble.com/w/tamanrasset-edward-parr/1148255148

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